This is a transformation of Lo, How a Rose E’re Blooming from the early 1600’s. Tuning is from the tonality diamond to the 31-limit, with each chord chosing the optimal 16 note scale to make the chord sound true. This leads to numerous comma transitions from one chord to another.
I use the Drunkard’s Walk Markov Chain to go forwards and backwards one chord at a time through the piece.
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Lo, How a Rose E’re Blooming #1