I’ve flattened some of the sevenths to make them 2 72-EDO steps lower. That makes the Eb sound better as the seventh of an F Major dominant chord in measures 13, 17, 19, 20, 24, 27, 37, and 41. The rest of the Eb’s are a 4:3 above the Bb major key, and they don’t sound so hot with a flatted Eb. I don’t care for the 21/16 that results from that discord.
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