This one was an experiment with a tuning that works well in the primary keys of the chorale, but goes into strange territory with notes outside those triads. It’s designed to sound good with the following triads: D major, A major, G major, B minor, F# major, and E minor. But there is more to the chorale than some triads. The scala file is here:
! adams_on_D.scl
!
Tuning for O Sacred Head Now Wounded: works well on D maj, A maj 7, B min, E min, G major, F# maj
12
!
15/14
8/7
32/27
9/7
4/3
10/7
32/21
11/7
12/7
25/14
40/21
2/1
And the result is here:
Sacred Head in the Wolf’s Lair
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