This version includes the second part of the dance, which is more complex than the first. I’ve applied the same deconstruction to this part as previously. I have a set of rhythms, dynamic accents, and notes. If they are played correctly, then it represents the Allemande dance as written. But I can also assign the rhythm of one measure, the dynamics of another, and the notes of a third, as well as extend they time 2x, 4x, or cut it in half.
It’s really a theme and variations style, but the themes and variations are intermixed.
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