Here is another version of my three variations on Naima, this time with greater dynamic and textural range, and with noise reduced samples. The tuning is either the 8:5 or the 16:15 otonality derived from the tonality diamond to the 31 limit. I’m not suggesting that this is better than 12 EDO for this piece, but it does ring true after you listen for a while.
or download here:
Machine6 – Naima v12