For this version I made only a few subtle changes in the volumes of the five different loudness levels. Basically, I reduced the difference between the volume of the first note in a measure and the rest of the music. This reduced the kind of march-like quality that the first version had. This one has the same tuning as the previous version here.
- 1st beat in a measure is assigned one of the alternatives for &vol1*.
- 2nd quarter note in a measure is assigned one of the alternatives for &vol2*.
- All other notes that carry the melody other than 1st or 2nd quarter notes in a measure are assigned one of the alternatives for &vol3*.
- Other notes, not carrying the melody, like the arpeggios, are assigned one of the alternatives for &vol4*.
- Grace notes are assigned one of the alternatives for &vol5*.
When the measures are assembled, the appropriate &vol*. value is called.
Here, in measure #1, it’s all non-melody parts. Musical theorists have said that this intro is simulating a babbling brook. Ok.
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Das wohin #4
